Whilst it is relatively popular amongst readers of M.R. James, I have to confess that ‘The Treasure of Abbot Thomas’ has never been favourite of mine. The details of the treasure hunting always struck me as rather dry and repetitive, causing it to seem like a rare case of James allowing his scholarship to overburden the narrative. That it proves one of the most successful of the BBC’s adaptations came as something of a surprise and whilst not quite in the same league as ‘A Warning to the Curious,’ it is a thoroughly absorbing and unnerving production. It is also, after ‘The Ash Tree,’ the most liberally adapted, grafting on an extra protagonist in the form of Lord Peter Dattering to act as a collaborator with the Rev. Somerton (thereby more easily allowing exposition) and a domestic sub-plot concerning the Dattering family.
Thankfully these additions do not detract from the integrity of the story. Indeed they positively enhance it. Quite aside from providing sufficient material to ensure that the pace does not drag (an occasional failure of the Ghost Story for Christmas series), it provides for a wonderful prelude in which Dattering’s mother attempts to contact her late husband through a fraudulent seance, quickly debunked by Somerton. This scene both foreshadows the genuine supernatural phenomena to come and establishes the hubristic rationality of the protagonist. Michael Bryant excels here and continues to impress as the tale progresses, adeptly portraying the conflict of a man torn between academic propriety and naked greed. Following his equally strong turn in ‘The Stone Tape’ we must consider Bryant a veteran in the ranks of the haunted.
Equally satisfying is the fact that the treasure hunting aspect seems to work far better in the visual medium, although this is possibly because it gives Lawrence Gordon Clark ample opportunity to let his camera linger over some exquisite church architecture. This ecclesiastical context allows for the deployment of much archetypally chilling imagery including gargoyles and half-glimpsed cowled figures. The soundtrack also reflects it, occasionally augmenting its percussive emphasis with monastic chorale and disembodied Latin whispers. These techniques may be familiar but their efficacy cannot be denied. Meanwhile, the climactic supernatural manifestation is of a particularly Lovecraftian character and Clark conveys its horror well, assisted by the judicious use of a slug!
However, perhaps the strongest asset of the production is its final shot, the ambiguity and terrible implications of which linger long in the mind. It does full justice to James’s assertion that the spirits in a successful supernatural tale must be implacably malevolent and in its uncomfortable lack of resolution, leaves the viewers themselves haunted. It is its faithfulness to James’s intentions, despite the additions to the plot, which really distinguishes ‘The Treasure of Abbot Thomas.’ For whilst there are other strong adaptations, their success sometimes derives from their own merits (e.g. Jonathan Miller’s ‘Whistle & I’ll Come To You’) and I feel that only the preceding year’s adaptation of ‘A Warning to the Curious’ is quite as effective at capturing the full atmosphere of James’s work.
Originally transmitted on 23rd December 1974
Produced by BBC 2